According to the critic by Mr. Fabrice Montebello, professor of the Arts Department at Lorraine University (France) in October 2019: “And here we arrive at these strange "gas books", as one paradoxically says, "gas masks". And seeing them in this startling vision of masks glued to the mouths of these models plunges us without mediation into the experience of the apocalypse. Red as blood and bald as women mowed at the Liberation by Resistance of the last hour, cancer patients, children of Chernobyl or the skulls shaved fanatics, but also as the confusion of genders, the tracking of hair and organic, the plasticization of bodies. […] This mask that is put on not to inhale gas but to continue breathing despite the gas. The apprehension, however, remains. The masks that protect us remind us that the danger is near. The children of the Blitz, the irradiated nuclear power plants, the war, the nuclear, the disaster. The gas is here. Sometimes the venom is also in the pen, and the poison is in the book. Yes, the air we breathe is loaded with the bad weather.”